In light of the latest police violence against blacks, and also brutality against the police in Dallas- I am watching this movie with my Adult ESL/ELL (English as a 2nd Language/English Language Learners, or immigrants) students. We are learning about racism/discrimination in the USA, how to respect all people/races, and how to correctly behave when encountering police officers.
This movie gives us an idea of what African-Americans had to experience in order to be integrated and accepted in our US society. It may not be 100% accurate, but it is a well made film with great actors. An interesting story to see with the whole family.
Italian:
Insegno inglese a immigranti adulti, e visto gli ultimi incidenti violenti della polizia USA verso i neri, e dell'attacco violento anche contro la polizia (a Dallas)- nella mia classe d'inglese questa settimana e la prossima, vedremo questo film per discuterlo, e imparare il rispetto fra' tutte le genti e le razze, e anche come comportarsi con i polizziotti (Americani) in caso ci feramano.
Un film che ci da' un'idea di quello che hanno passato gli Afro-Americani per integrarsi ed essere accettati nella nostra societa' (USA). Non e' accurato al 100%, ma e' comunque un film ben fatto e con grandi attori. Una storia interessante da vedere con tutta la famiglia.
As
with many movies about sports, which tend toward the legend model, “42”
runs the risk of making more out of ballplayers and baseball executives
than what’s there. At heart Robinson was a four-sport star at U.C.L.A.
(where he was a very good football running back) who wanted to play ball
and earn a living. Rickey was a career baseball man who wanted to win
games and make money. They needed each other.
Yes,
Robinson was a symbol, a lightning rod for both black and white
America. But it’s important to remember he was also all athlete, a feral
ballplayer, a professional who played his chosen game hard. As he wrote in his book, “I believed in fierce competition and swift retaliation for mistreatment.”
Because
Robinson’s breakthrough came in the United States of America, it’s also
a tale complicated by its sense of keen economic opportunity: you know,
money. And “42” doesn’t shy from that fact. Mr. Ford’s Rickey
says, “Dollar’s aren’t black and white,” and the Dodger manager Leo
Durocher, played by Christopher Meloni, states, “We’re playing for money
here, Mr. Rickey.”
But
Robinson was blunter in his book. “Money is America’s God,” he wrote,
“and business people can dig black power if it coincides with green
power.” And on his teammates: “They hadn’t changed because they liked me
any better; they had changed because I could help fill their wallets.”
(Source: http://www.nytimes.com/2013/04/07/movies/jackie-robinson-the-hero-in-42.html?_r=0)
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